Museum Tour Essay Structure

The Terra Foundation for American Art International Essay Prize recognizes excellent scholarship by a non-U.S. citizen working in the field of historical American art.

Manuscripts should advance the understanding of American art, demonstrating new findings and original perspectives. The prize winner will be given the opportunity to work toward publication in American Art, the Smithsonian American Art Museum’s scholarly journal. The winner will also receive a $1,000 cash award and a travel stipend of up to $3,500 to give a presentation in Washington, D.C., and meet with museum staff and fellows. This prize is supported by funding from the Terra Foundation for American Art.

The aim of the award is to stimulate and actively support non-U.S. scholars working on American art topics, foster the international exchange of new ideas, and create a broad, culturally comparative dialogue on American art. Ph.D. candidates and above (or equivalent) who have not published in the journal American Art previously are eligible to participate in the competition. Essays may focus on any aspect of historical (pre-1980) American art and visual culture; however, architecture and film studies are not eligible. Preference will be given to submissions that address American art within a cross-cultural context and offer new ways of thinking about the material. A strong emphasis on visual analysis is encouraged.

Manuscripts previously published in a foreign language are eligible if released within the last two years (please state the date and venue of the prior publication). Essays that have been published in English will not be considered. Authors are invited to submit their own work for consideration; however, former applicants must submit on a new topic if they wish to be considered again. We also urge scholars who know of eligible articles written by others to inform those authors of the prize.

The length of the essay (including endnotes) should be between 7,000 and 8,500 words and should include approximately 12 to 14 illustrations with figure references in the text. The essay should be submitted by e-mail as a Word file and should include a bibliography of key sources. A PDF file containing all of the illustrations, along with captions that provide each object’s title, artist, date, medium, dimensions, and current location, is also required. All manuscripts should be accompanied by an abstract of 500 to 1,000 words written in English that: 1) clearly states the author’s thesis and the essay’s contribution to the field of American art, and 2) outlines the essay’s basic structure and methodology. A curriculum vitae should be included as well.

Submissions must be sent to by January 15, 2019. Questions or comments may be emailed to the same address.

For more information on American Art, please consult American Art Journal. For details on the Terra Foundation for American Art, please visit

Terra International Essay Prize Recipients

2017: Susanneh Bieber, “Going Back to Kansas City: The Origins of Judd’s Minimal Art,” Forthcoming

2015: Hadrien Viraben, “Constructing a Reputation: Achille Segard's 1913 Biography of Mary Cassatt,” Spring 2017 (vol. 31, no. 1).

2014: John Fagg, “Chamber Pots and Gibson Girls: Clutter and Matter in John Sloan's Graphic Art,” Fall 2015 (vol. 29, no. 3): 28-57.

2013: Edyta Frelik, “Ad Reinhardt: Painter-as-Writer,” Fall 2014 (vol. 28, no. 3): 104-25.

2012: Sophie Cras, “Art as an Investment and Artistic Shareholding Experiments in the 1960s,” Spring 2013 (vol. 27, no. 1): 2-23.

2011: Alex J. Taylor, “Unstable Motives: Propaganda, Politics and the Late Work of Alexander Calder,” Spring 2012 (vol. 26, no. 1): 24–47.

2010: Sergio Cortesini, “Invisible Canvases: Italian Painters and Fascist Myths across the American Scene,” Spring 2011 (vol. 25, no. 1): 52–73.

Virtual Museum Tour Essay

Vanessa FloerkeWestern International UniversityHUM/201 World Culture and the ArtsRuth ToddSeptember 24, 2006IntroductionHello, and welcome to this Virtual Museum Tour. In this tour are pieces from different types of art forms, including Visual Art, Architecture, Music and Literature. The six selected pieces span historical eras from Classical Greece of 500 - 323 B.C., the Late Roman Republic era of 509 B.C. - 27 B.C., and all the way up to the Early gothic and the Baroque time periods. These selections were chosen because of both their cultural significance, cultural cross-currents, and their beauty and craftsmanship. Enjoy the tour.

Calyx-Krater With the Death of Aktaion - Visual Art PieceThis piece comes from the Classical Greece time period (500 - 323 B.C.), was created in 430 B.C., and is from Greek Mythology, mainly the death of Aktaion. In Greek Mythology, Aktaion was the son of Aristaeus and Autonoe in Boeotia, and the nephew of Artemis, the goddess of the hunt. The legend states that Aktaion was bragging one day that he was a better hunter than Artemis. Atermis, infuriated by his claims, turned him into a stag (deer), to be eaten by his hunting dogs. There are 2 other stories, one being that Aktaion walked in on Artemis while she was bathing, and upon staring at her nude body, infuriated Artemis to the point that she punished him by forbidding him to speak. If Aktaion spoke he would be turned into a stag, thus eaten by his own dogs. Yet another story dictates that Aktaion was courting Semele, who was also his aunt, and incurred Zeus's wrath because Aktaion made Zeus jealous.

This piece was created using the Attic Red Figure Technique, which was quite a complicated process. To create a finished piece of red-figure pottery the potter and the painter join forces. The potter would shape the sculpture out of clay and deliver it to the painter while the clay was still damp. The painter would then paint the vase using a tool similar to a pastry bag with a syringe-like nozzle of bone or wood to illustrate the fine detail lines and background colors. The tricky part is that the paints color only came into being once the sculpture was fired in a kiln, so the painter had to recreate the scene almost entirely from memory, unable to see the work they had done before. In addition, the colors could only be applied while the clay was still wet, so the painter had to work very promptly.

When creating the large kraters painted with the red-figure technique, tens of thousands of undetectable lines had to be applied, each ending specifically at a certain point to prevent overlying lines in the complex detail work, in an extremely brief period of time. Despite these limitations, red-figure painters developed an elaborate and specific technique. Humans...

Loading: Checking Spelling


Read more

Domestic Tourism in England Essay

1554 words - 6 pages The importance of visitor attraction in stimulating domestic tourism is established by the following extract from research carried out by Enjoy England. The research shows that England excellent in the providing of unspoilt country and history and Heritage. These are also products drivers for the British visiting England. The model has shown that local produce, Arts and craft (an activity), facilities for camping and caravanning, activities for...

Communication Technology: Gift or Curse? Essay

2470 words - 10 pages On a quest as old as civilization itself, people everywhere have been in a never-ending pursuit of ways to overcome physical shortcomings; like no known animal before it, man has relentlessly sought ways to bend the laws of nature in his favour. First using crude tools to compensate for physical limitations, slowly growing ever more complex as we developed; soon looking for ways to shorten travel and communication times - evolving from foot to...

Factors Explaining the Growth in Heritage Tourism

2660 words - 11 pages Heritage is a broad concept as it can mean many different things and have many definitions for example, “circumstances or benefits passed down from previous generations, keeps the close contact with the concept of inheritance. Although it might not be a thing but maybe an inherited title” (Howard, heritage management, interpretation, identity). This quote shows that, heritage can be an understanding of something old, new, tangible and the...

Denying that the Holocaust

1121 words - 4 pages How can history be denied? History is not always pretty, or nice but nothing will change it. The Holocaust was one of the most devastating things to ever happen, but it DID happen. The denial of this piece of history should be illegal. One cannot deny this event and the vital impact that it had on the world. Denying that the Holocaust happened should be illegal because it affected millions of people, there are facts to back it up, and learning...

Everglades National Park

1390 words - 6 pages In today's growing world, the preservation of species is needed to protect them from extinction. As we continue to grow, more area is used and less wild land is left behind. This makes it harder to support the vast species of both animals and plants all across the world. But thanks to the United States, the government has been working to protect these species. The largest home to the most eclectic group of species in the world is the

Risk and crisis management in tourism industry

3545 words - 14 pages Although in the new millennium the tourism industry is growing, the first four years have experienced tragic incidents. People still have in their memories the terrors of 11th September 2001, in New York, Washington D.C and Pennsylvania (Han, 2005). Additionally, as the same author states (2005, p.2), in 2003"… international travel in the Asia-Pacific region was...

Technology: Blessing or curse and the social divide caused by technology

1698 words - 7 pages The advent of electricity (technology) not only affected families internally, but it also affected social conditions, on-going economic change, new political trends, and cultural shifts over time. There was a revolution driven by technological, political, and economic services that changed the structures and practices that make up society. The development of electricity and new communication technologies transformed the way society socialized...

Circle of Death

1799 words - 7 pages Circle of Death Could you make the decision to doom some, in order to save others? This has always appeared as one of the most difficult decisions within the nature of mankind. Those who have the ability to declare death to others easily are often seen as sadistic or demented. No culture has been faced with this decision more than the Jewish people, especially under the Nazi Regime. During the early 1940’s Nazis imprisoned Jews within “ghettos”...

Media Technologies

2100 words - 8 pages INTRODUCTION: Audiences from different parts of the world were able to experience the atrocious event of the 9/11 attacks in New York as it happened live, from their homes. The media can create an experience of being in two places at once at the same time and allows us to experience the incidents occurring in a place separate from the environment in which we are present. Events, which are mediated, also influence our perceptions of the event...

Marketing as a Tool for Non-Profit Organizations.

6073 words - 24 pages "Community Engagement is the process of building relationships with community members who will work side-by-side as an ongoing partner, building an army of supports for your mission, with the end goal of making the community a better place to live." (, 2009)IntroductionNon-profit organizations have thousands volunteers who provide free business counseling and no or low-cost workshops. In order to be effective,...

Architecture in the Middle Ages

3398 words - 14 pages Introduction:The "Middle Ages" were considered a very turbulent period of time in the world's history. Civilizations were born and destroyed within these turbulent times. It was, however, a period that saw the beginning of great architectural developments. It was a time of learning and building. Some of the greatest architectural structures in the world were constructed during this time. Many of those structures are still standing today...

0 thoughts on “Museum Tour Essay Structure”


Leave a Comment

Your email address will not be published. Required fields are marked *